See / Wuhan on screen
Wuhan on screen:
the streets that play themselves
Chinese film crews have been shooting in the same square mile of Hankou for a decade, because the buildings there need no set dressing. For a visitor this is one of the few angles on the city that no English guide covers at all.
Walk Shengli Street and the lanes off it — Lihuangpi Road, the Bagong building, Xian'anfang, Pinghe Packing Plant. That is where most of it was filmed and it is all free. Add the riverside and the Yellow Crane Tower for the 2025 gala broadcast, which used twenty-odd locations across the city.
This is not a celebrity-trail page and we are not going to pretend it is one. It is a page about a specific thing that happened to a specific set of streets: a working residential district with intact 1900s architecture became the standing backlot for Chinese film and television, and then a national broadcast made the same streets a tourist destination.
What happened, in order
Hankou's old concession district was never demolished the way comparable districts in other Chinese cities were, mostly because it stayed dense and lived-in. By the 2010s that made it cheap and convincing to shoot in. Crews came for the red brick frontage, the narrow lanes and — the thing directors actually mention — the fact that ordinary life continues in front of the camera, which is hard to fake.
Then in early 2025 the city hosted one of the regional segments of the CCTV Spring Festival Gala, the most-watched broadcast of the year. Wuhan's segment ran six and a half minutes and used more than twenty locations across the city — the drum formation at the Yellow Crane Tower, the plaza in Optics Valley, the river, and the old streets. Filming took over twenty days. Local reporting is explicit that it was the most locations any host city had used.
What followed is predictable and worth knowing before you arrive: the streets that appeared on screen now have queues at the doorways that appeared on screen. You are not discovering something. You are visiting a place that became famous eighteen months ago.
The route, and what was shot where
Everything below is on the Hankou bank, within walking distance of each other, and free.
Shengli Street 胜利街
The spine of it: 3.8 kilometres laid out in 1902, and the street most often described in Chinese press as a natural backlot. Crime drama, romance, comedy — the same frontage serves all of them. The catch: it is a live road with traffic and, as of 2026, an ongoing street-level renovation along its length, so parts of it are a building site.
Hankou · free · the main setThe Bagong building 巴公房子
The 1910 red-brick wedge that has played a bar, an apartment block and a period interior in different productions. The catch: the exterior is what you get; the inside is a hotel. See Hankou for that detail.
Hankou · free outsideXian'anfang 咸安坊
A 1915 lane-house block, red brick, tight alleys — used as a period neighbourhood and now, inevitably, a shopping lane. The catch: the renovation means the "period" is partly restored rather than survived.
Hankou · freePinghe Packing Plant 平和打包厂
The old cotton warehouse with the clock tower, on Qingdao Road — its brick galleries and covered bridge have appeared in at least one major release. Now a creative park. The catch: it is offices and studios; you can walk the yard, not the floors.
Hankou · freeElsewhere in the city, the two locations worth naming are the Yellow Crane Tower (the gala's drum sequence) and the riverside at Jianghanguan, both of which you were probably going to see anyway.
An honest half-day
Start at Jianghanguan on the river, walk inland to Lihuangpi Road, loop through the Bagong building corner and Xian'anfang, then follow Shengli Street east toward Shanhaiguan Road — which puts you at the best breakfast street in the city if you do this in the morning, or at the beer street if you do it in the evening. That is the whole route, and it takes two to three hours without sitting down.
One: productions shoot here continuously, which means streets get closed for a day with no notice. If a lane is blocked by lighting rigs, that is not a crisis, it is Tuesday.
Two: this is a residential district. People live in the buildings that appear in the films, and the neighbourhood's own patience with photographers is a finite resource. Do not stand in a doorway, block a stairwell, or photograph into someone's window.
Three: we list productions that were publicly reported at the time. We do not list who was in them as a reason to visit, because a film's cast is not a permanent feature of a street, and pages built on that go stale within a season.
The gala segment's length, location count and filming schedule, and the list of productions shot in the district, come from municipal and provincial press reporting (F141), not from studio publicity. The street lengths and building dates are F131–F132. District framing and the walking order are editorial. Class C — the streets do not move, but which productions used them keeps changing, and the street renovation is an open variable.
Questions we keep seeing
Can I visit the places from the 2025 Spring Festival Gala?
Is it worth going just for the film locations?
Will I see a shoot happening?
Are these locations free?
Sources, prices and currency
F141 covers the 2025 Spring Festival Gala segment (length, location count, filming period) and the productions reported as shot in the district, sourced from municipal and provincial press rather than studio material. Building dates and street lengths: F131–F132. The renovation of Shengli Street is reported and ongoing, so a section may be fenced. Class C.
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Checked yearly — geography, history and background. This page was last checked 2026-11.